#FREE Soft Body Simulation for Motion Graphics with RealFlow #3D + Animation #Maya

Learn how to simulate soft bodies in a physically accurate way with RealFlow. Soft bodies are a great way to model soft, malleable surfaces, especially ones that collide with other objects. In this tutorial, working along with author Ran Ben Avraham, you’ll concentrate on RealFlow’s soft bodies dynamics system, while following a realistic production workflow pipeline. After identifying an initial design concept (a logo bouncing on a trampoline), the course takes you through importing the geometry for the scene, setting up your dynamics properties and scale, simulating and animating the soft bodies, and rendering and compositing the finished video with Maya and After Effects. Ran also covers creating multiple simulations and slow-motion simulations from the same RealFlow scene.
Note this is a project-based learning experience, designed for members who are already familiar with RealFlow. Each step of the process is rich with lessons applicable to the variations that motion design artists will face in the real world.

LEVEL –  Intermediate

COURSE TOPICS:

Importing geometry in RealFlow
Setting up dynamic types and world scale
Rearranging objects in 3D space
Simulating soft bodies
Speeding up and slowing down simulations
Animating, lighting, and rendering in Maya
Compositing in After Effects

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LEARN THIS COURSE FOR FREE *10 days of free unlimited access to “Soft Body Simulation for Motion Graphics with RealFlow”

Instructor’s Welcome Note:

– Hey good folks! My name is Ran Ben Avraham. In this course, we are going to learn how to simulate bouncing bodies on a trampoline in a physically accurate manner. Throughout this course, we will solve different problems and find the best and fastest ways to achieve our goals. Throughout this course I will do my best to introduce you to the world of free flows soft body simulations in the friendliest way possible. In the project files folder, you will find a Realflow project file equivalent to the chapter you are watching.
Each set of the process we are going to take is which with object classes that a simulating artist and a motion design artist will face in the real world. So, without further ado, let’s get started.

 

 

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