#FREE Drum Mixing Techniques #Audio + Music #Ryan Hewitt

Once the drums have been set up and the tracks have been laid down, it’s time to create the final mix. In this course, GRAMMY-winning producer Ryan Hewitt explains his techniques for mixing drum sounds. Having captured a great performance from professional drummer Josh Freese at EastWest Studios, Ryan moves into mixing, demonstrating his techniques for getting a powerful sound that’s radio ready. He’ll cover EQ, compression, gating, reverb, and other effects, as well as his own methods for parallel compression and more. Ryan works with the recording studio’s SSL 4000, but these techniques are applicable to any DAW or console. The end result is a great drum mix that can hold its own in any song.

LEVEL –  Appropriate for all

COURSE TOPICS:

Ryan’s philosophy of mixing
Checking phase before building the mix
Panning and creating stereo image and depth of field
Building detailed sounds for each drum
Creating groove by balancing inputs
Adding parallel compression, distortion, and reverb

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LEARN THIS COURSE FOR FREE *10 days of free unlimited access to “Drum Mixing Techniques”

Instructor’s Welcome Note:

– Mixing drums can be a rather daunting task and a lot of people are initially afraid to really dig in with EQ, compression, and other processing to make the drums sound like a hit record, to really come alive. I’m gonna show you a few techniques I’ve learned over the last 20 years to really make your drums stand out, and also fit in with the mix. I’m working on an SSL 4000 E Series here at EastWest Studios in Hollywood, but all the techniques and ideas I will show you are applicable to any DAW or console. Numbers and knobs are not as important as understanding the how and why of what I’m doing.
An important thing to keep in mind is that all these ideas are merely tools to use in getting your desired sound. There are no hard and fast rules in using them, other than keeping your ears open and listening to what’s happening at all times. I love working with drums, and I really love making ’em sound punchy, and warm and fat, so I hope that you can take these tricks, and make ’em part of your arsenal to make awesome sounding drums on your track. (driving rock music)

 

 

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